OSE
  • Home
  • About us
    • Overview of OSE
    • Early Stage Performances
    • Pre-Opera Years
    • Hastings Opera
    • Opera South East
    • OSE Awards
    • Audience Comments
  • Join us
    • Join our Events mailing list
    • Get involved in OSE >
      • Members information
    • Join our chorus
    • Join our back-stage crew
    • Renew (or join) OSE Membership
    • Join our Auditions mailing list
  • Support us
    • Ways to help us
    • OSE Friends
    • OSE Angel
    • OSE Benefactor
    • OSE Sponsors
    • Support OSE with Gift Aid
  • Contact us
  • Last production
  • Past productions
    • All past productions
    • 2023 Carmen
    • 2022 The Mikado
    • 2019 La Traviata
    • 2018 Eugene Onegin
    • 2017 The Magic Flute
    • 2016 Macbeth
    • 2015 Il Trovatore
    • 2014 Carmen
    • 2013 Madam Butterfly
    • 2011 Pinafore
    • (more pages coming but it'll take a while to get back to 1980!)
  • Recent events
  • Links
  • Members area
    • Who's who in OSE
    • Rehearsal tracks >
      • Onegin rehearsal tracks
      • Merrie England rehearsal tracks
  • Committee area
    • Policies, job specs, ...
    • Meeting minutes/actions
    • Production checklist
    • Concert checklist
    • Event plans
    • Future planning
    • Development areas
    • Press contacts
    • Local network
    • Email, website, IT
    • Combined event checklist
    • Salesforce procedures
  • Rehearsal dates

Three Maids, Pishtush and Nankipoo dialogue for 19 Nov 2019 Audition 

We will be reading from the following passages (Green Chappell libretto)
YUM. Yes, everything seems to smile upon me. I am to be married today to the man I love best, and I believe I am the very happiest girl in Japan! 
PEEP. The happiest girl indeed, for she is indeed to be envied who has attained happiness in all but perfection. 
YUM. In ‘all but’ perfection? 
PEEP. Well, dear, it can’t be denied that the fact that your husband is to be beheaded in a month is, in its way, a drawback. It does seem to take the top off it, you know. 
PITTI. I don’t know about that. It all depends! 
PEEP. At all events, he will find it a drawback! 
PITTI. Not necessarily. Bless you, it all depends! 
YUM. (in tears). I think it very indelicate of you to refer to such a subject on such a day. If my married happiness is to be – to be – 
PEEP. Cut short. 
YUM. Well, cut short – in a month, can’t you let me forget it? (Weeping.) 
(Enter NANKI-POO, followed by PISHTUSH.) 
NANK. Yum-Yum in tears – and on her wedding morn! 
YUM. (sobbing). They’ve been reminding me that in a month you’re to be beheaded! (Bursts into tears.) 
PITTI. Yes, we’ve been reminding her that you’re to be beheaded. (Bursts into tears.) 
PEEP. It’s quite true, you. know, you are to be beheaded! (Bursts into tears.) 
NANK. (aside). Humph! Now, some bridegrooms would be depressed by this sort of thing! (Aloud.) A month? Well, what’s a month? Bah! These divisions of  time are purely arbitrary. Who says twenty-four hours make a day? 
PITTI. There’s a popular impression to that effect. 
NANK. Then we’ll efface it. We’ll call each second a minute – each minute an hour – each hour a day – and each day a year. At that rate we’ve about thirty years of married happiness before us! PEEP. And, at that rate, this interview has already lasted four hours and three-quarters! (Exit PEEP-BO.) 
YUM. (still sobbing). Yes. How time flies when one is thoroughly enjoying oneself! 
NANK. That’s the way to look at it! Don’t let’s be downhearted! There’s a silver lining to every cloud. 
YUM. Certainly. Let’s – let’s be perfectly happy! (Almost in tears.) 
PISH. By all means. Let’s – let’s thoroughly enjoy ourselves. 
PITTI. It’s – it’s absurd to cry! (Trying to force a laugh.) 
YUM. Quite ridiculous! (Trying to laugh.) 
Picture

Our last few productions were just great!  See the NODA write-ups (National Operatic and Dramatic Association).  In July 2015, OSE received a regional award in the NODA South-East Awards for Excellence 2014 - for Musical Excellence in OSE's production of Carmen, and this year (2019) we were awarded the 2018 NODA South-East Region award for Best Opera

Picture
Picture
Picture
Proudly powered by Weebly